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Shivkumar Sharma: a sound of spirituality from the Valley

Shivkumar Sharma: a sound of spirituality from the Valley

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Through the years, santoor and Shivkumar Sharma had grew to become synonymous.

Through the years, santoor and Shivkumar Sharma had grew to become synonymous.

Pandit Shivkumar Sharma, the maestro who etched a picture of the Kashmir Valley and a sound of spirituality each time he struck a chord on his santoor, transcended for a divine live performance on Tuesday.

An emblem of the Shaivite and Sufi custom of Jammu & Kashmir, the Padma Vibhushan toiled to make the people instrument acceptable on the classical firmament. When critics mentioned santoor was not match for the meends and gamaks, Sharma made it doable by his striker, with out indulging in any fancy experiments. A grasp of each ragdaari and riyaz, his solo live shows drew crowds and his discs broke data. Through the years, santoor and Shivkumar Sharma grew to become synonymous.

If his charismatic persona raised the heartbeats, his elegant santoor invariably soothed the frayed nerves of town dwellers. He would etch photos of the breeze caressing the grass within the valley, of flocks of sheep grazing, and a shepherd assembly a younger lady within the shikara, all on his modest instrument that’s mentioned to have emerged from Shahtha Tanti Veena and later got here below the spell of Sufi music.

Born in Jammu to musician Uma Dutt Sharma, who labored in All India Radio, Sharma began as a tabla participant however his father wished him to take up santoor and realise its potential.

An introvert, santoor suited Sharma due to its tender, non secular enchantment that doesn’t search consideration. He had the uncommon capability to separate the person from the artist and maybe that’s the reason he might critique his efficiency, even when he was enjoying on stage. Claps by no means mattered to him as as soon as his santoor was tuned for the night, Sharma would turn into one with himself. He would usually say, an artist ought to turn into a drashta (onlooker) on stage and would advise the viewers to hear and never applaud for the stature of the artist.

Bollywood connection

Although he might invoke all of the ragas, Sharma’s favourites had been those who evoked romance and its pathos, like Jhinjoti. Maybe, that’s why filmmaker Yash Chopra turned to him and flutist Hariprasad Chaurasiya for composing music when he made a shift from motion to romantic movies.

From Silsila to Darr, the duo tuned a younger India to the thought of affection and separation, by no means hurting the emotions of the purists, seldom leaving the commoner out of their canvas. Be it “Dekha Ek Khwab” or “Jadoo Teri Nazar”, the tune is sufficient to make the hearts go aflutter. Their folks compositions like “Rang Barse” and “Mere Haatho Fundamental” proceed to be in nice demand throughout festivals and weddings.

Sharma and Chaurasiya met within the late Nineteen Fifties and steadily struck a bond that resulted in a massively widespread album Name of the Valley that spurred a craze for instrumental music and resulted in a number of copycats. Each performed candy devices that wanted area on the classical podium. Each contributed to background music in movies and had been in demand however each wished extra from life.

Sharma began his profession with V. Shantaram’s Jhanak Jhanak Payal Baje. He was even supplied an appearing half by Khwaja Ahmad Abbas however the pull of the glamour world was not sufficient to wipe off the promise he made to his father.

Jovial facet

A person of measured phrases, Sharma carried a regal aura round him. The coiffure that created a sort of halo round him was maybe impressed by Sathya Sai Baba whom he adopted.

Sharma had a jovial facet too however he opened up solely to those that had been a part of his internal circle. For the lackeys that include fame, the message was clear: this far and no additional. Journalists needed to be ready earlier than they might method him and he might choose his viewers by their physique language. Throughout a Mumbai live performance, when the host requested what raga he would play, the maestro mentioned, “what’s in a reputation, simply shut your eyes and hear.”

However, he was all the time open to the seeker. As a younger man, he traveled throughout the nation in a personalized bus with fellow musicians to know his nation and take classical music to the lots.

He cherished his meals however not at the price of apply. When in a temper, he would find yourself consuming chilly meals. These near him say that once they despatched him his favorite fish, it was with the be aware that he ought to warmth it earlier than consuming it.

Sharma can be remembered for taking santoor out of Kashmir and making it a world phenomenon. His son Rahul would take ahead his legacy however that bewitching smile that surfaced on his face each time he bought the precise reply to the query he posed to the tabla accompanist will stay etched within the reminiscence of music lovers.

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