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Singer KK, a voice that regaled swooning hearts and jilted lovers alike

Singer KK, a voice that regaled swooning hearts and jilted lovers alike

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Untrained, like his inspiration Kishore Kumar, the self-effacing singer believed in being recognized by his voice and never his public utterances

Untrained, like his inspiration Kishore Kumar, the self-effacing singer believed in being recognized by his voice and never his public utterances

Blessed with a voice that created the magic of youthful exuberance and the melancholy of affection with equal felicity, Krishnakumar Kunnath (1968-2022) gave goosebumps to the listeners each time he took the stage. Anyone who was touching puberty on the flip of the brand new millennium can have a KK tune of their reminiscence, that soaked the soul. Probably the most versatile singers of this era, KK had a fan following throughout languages, geographical boundaries, and age teams.

Born in a Malayali household in Delhi, the shy boy turned the lifeline of stage reveals proper from his faculty days in Kirorimal. Untrained, like his inspiration Kishore Kumar, the self-effacing singer believed in being recognized by his voice and never his public utterances. Like Kishore, he internalised the emotion and what got here out was at all times heartfelt, principally lasting.

After a few fashionable albums, significantly his  Pyar Ke Pal quantity, he turned a sensation with  Hum Dil Chuke Sanam (1999), the place he sang the anthem for the jilted lovers: “Tadap Tadap Ke Dil Se Aah Nikalti Rahi”. From the IITs and IIMs to the native schools, no scholar farewell was ever full with out his songs of heartbreak and nostalgia, laced with the euphoric admission: “Tu Aashiqui Hai” ( Jhankaar Beats). 

Composed by the  purist Ismail Durbar,  Tadap Tadap not solely proved KK’s vary within the larger octaves, but in addition propelled him to sing a number of tracks for Salman Khan, whose fame was on the ascent.

Over the subsequent twenty years, he sang immensely fashionable numbers for Shah Rukh Khan (“Aankhon Fundamental Teri”), Emraan Hashmi (“Tu Hello Meri Shab Hai”, “Zara Si Dil Fundamental De Jaga Tu”), Hrithik Roshan (“Dil Kyun Mera Shor Kare”) and Ranbir Kapoor (“Khuda Jane”) however his vocal chemistry with Salman remained unmatched, as evident up until  Bajrangi Bhaijaan (“Tu Jo Mila” ).

Nonetheless, for the survivors of heartache, KK’s “Maine Dil Se Kaha Dhoondh Lana Khushi” ( Rog) is the final hope. The truth is, there was a part in his profession when KK’s voice turned a balm for damaged hearts, as envisioned by Mahesh Bhatt’s banner. In  Rog, he matched the depth of Irrfan’s eyes with the  khalish (mordacity ) in his timbre. You possibly can play it on the loop for the entire night time, however nonetheless wouldn’t be capable to map the undulations in KK’s voice. He evoked an analogous sense of longing in “Awarapan Banjarapan” ( Jism).

In each the movies, he labored with MM Kreem who introduced out the melancholic flavour in his voice.

Having began his profession with A.R. Rahman ( Kadhal Desam), KK additionally had an enormous following in South India. His songs with Harris Jayaraj turned a rage amongst youth, coming to phrases with their first flush of romance. When R Madhavan’s  Minnale was remade as  Rehnna Hai Tere Dil Fundamental, KK’s “Sach Keh Raha Hai Deewana” turned a staple of musical evenings. Their affiliation continued until the upcoming  Legend. Like Durbar, when Maestro Ilaiyaraaja pushed him out of his security web in  Ninu Choodaka Nenundalenu, KK proved his price.

He labored with all the highest composers of the nation however, not like a few of his contemporaries, he was known as for one or two numbers that determined or modified the course of the narrative. With unhappy numbers waning away from Indian cinema, KK was not remembered that always by composers. But, when Pritam — with whom he had a protracted and profitable affiliation — wanted a rousing quantity for  83, he  dialled up  KK and we received “Yeh Hausle” It reminded us of the sense of hope he generated with “Aashayein” in  Iqbal.

Until the tip, he remained a rage within the live performance circuit and will probably be remembered because the singer who turned the voice of the center when the world was moving into the rat lure of insipid pragmatism.

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